Run Before You See the Red of Their Eyes (28 Weeks Later)

28 Weeks Later should have had quite a bit going for it. Everyone knew that it couldn't end with Jim and Selena surviving and everything being okay. I mean zombie movies just don't have happy endings - unless it's Shawn of the Dead. So here it is - we knew that people had to be hiding out. We knew that there had to be a few intelligent humans that would lock their doors and keep quiet and just hide out. Eventually the zombies would starve and civilization revived - or so they thought. Apparently, the survivors hiding out have never seen a zombie movie before. Enter Don (Robert Carlyle) and a his wife - hiding out with a group of survivors. When faced with his own mortality - and his wife's nurturing nature for a young boy - he turns tail and runs - I'm reminded of the old joke about the two men being chased by a bear in the woods - as one says to the other, "All I have to do is out run you." That's just what Don does - he leaves wife and random boy to raging zombies.

I suppose I wasn't watching this and considering the zombie movie rules. I liked the happy ending of 28 Days Later and, quite frankly, I wasn't concerned with what happened 28 Weeks Later (or 28 minutes later.) I didn't think there was a need to follow up this story with a clearly mediocre sequel. This could have been a completely different movie that was not tied to 28 Days Later and I would've been happier with the result. 28 Weeks Later did not have the visual appeal or retain my interest as its predecessor.

What can I say that Alicia didn't in her previous paragraph? I think the movie is a fine continuation for those of you that wanted to see the fate of mankind. However, 28 Days Later is really a story about Jim and Selena - we don't care what happened to the rest of mankind unless it has something to do with Jim and Selena. 28 Weeks Later are for all you zombie fans that want to see just how widespread this rage thing really was. I've believed - for quite some time that a good horror movie is about what is not shown. Suspense is the key to good horror. This movie is excessive in gore and violence - which is what appeals to those that have a different opinion than mine of what good horror is. That said, I can't help but argue there's something interesting about the second installment of this franchise. I think that in the sub-genre zombie movies - this does what others have done. First there's the character and social study of mankind (28 Days Later). Then there's the study of the arrogance of man - which is this - the belief that man can control the unnatural. From Night of the Living Dead to Dawn of the Dead - we see a significant change in the focus of what we care about as an audience, and the transition from Days to Weeks follows the same formula. I would say this is worth a watch if you're into zombie movies or believe that the 28 Days/Weeks world is one worth looking in on to see what's next. I'd even say that if you're Jonesing for a 28 Months Later that you should probably have it's two predicessors on your movie shelf. I, myself bought the movie blind - but would not recommend doing so to anyone but the most die-hard 28 Minutes/Days/Weeks/Years/Decades fans.

Where the Streets Have No People (28 Days Later)

Near the start of this movie, we see a lone man walking the streets of London. They are barren of people. There is no one to be seen in from Piccadilly Circus to Big Ben, and it's a miraculous shot. 28 Days Later is the first horror film reviewed by Jason and Alicia, and it's one of my favorites. A Danny Boyle film - it's clear through the viewing of this film why he went on to win the Oscar for 2008's Slumdog Millionaire. The premise is this - a virus is accidentally released on the population of London. Around the same time, Jim is admitted into a hospital with a head injury. 28 days later, he wakes up to find the city in ruin and no people to be found.

Cillian Murphy is at the top of my list for celeb-crushes so, watching Cillian Murphy as lead throughout 28 Days Later, was no difficult task. The good news is, there is more to Cillian Murphy than a pretty face. He certainly carries his own in 28 Days Later acting solo for a good portion of the movie and being forced into one situation to the next. The story unfolds in a way that speaks volumes with zero dialogue. The abandoned hospital and the empty London streets set the tone of ultra-creepiness. at this point, I am already asking, "Can the last man on earth save the world?" Another question might be, "Can the last man on earth save himself?" Boyle paints the desolate scene with artful panache to leave an audience gobsmacked and possibly, rather frightened before anything very obviously scary even occurs.

More to Cillian Murphy than a pretty face - hrm - I wonder what you're referring to Alicia. Cillian certainly lets it all hang out in this movie. Look for a transformation from the victim to leader of surviving mankind, but that's one of the keys of a good Zombie Movie - the everyman steps up that previously wouldn't have in a lesser situation. Quickly the film transforms from a horror movie into a social study of groups faced with their very survival. Some of the characters see the infection as an opportunity to shed their humanity in order to continue the human race while others realize that it's humanity that makes us stronger than the virus. It's the fact that we're willing to risk our own lives help someone else who needs it that makes us human. It's that we make connections from doing this, and allows us to make necessary connections. There lies the dilemma of this movie. Ultimate survival depends on these pockets of survivors repopulating the planet. However, early on Selena (Namoie Harris) tells Jim that she can't afford to have others slow her down because that means she'll be dead too. Though it goes unsaid that if one takes survival to such a selfish level, there will be no one left to allow for the human race to survive. Therefore, it is contingent that the social unit operate with order and common sense - but most of all humanity.

Something I found to be very frightening was the lack of trust to be found. Happening upon a non-infected person or group of people doesn't mean automatic bonding and safety. It seems as if the danger became more intense due to the militant behavior of the leader.

Watching this, I do think about the Human Vs. Zombies game I played at work. Similar, in that, I remember how anxiety was so high walking around the cafeteria as a "human" looking around and dodging getting tagged by a "zombie." I also noticed after I was tagged by a "zombie" and turned how I quickly bonded with the other zombies. I walked into the courtyard area at work and other zombies waved to me. The zombies were so much friendlier than the humans. Why is this so? Well, zombies have nothing to lose. The humans in the game, however, didn't trust one another. You rarely noticed another human because you were too busy looking over your shoulder for zombies. The humans didn't help one another out the way zombies did. I suppose the game reminds me a lot of the way of human behavior in 28 Days Later.

It was interesting to see the transformation of Jim throughout the film as well. He begins as someone feeling very lost and alone calling out in the empty streets to find any human response. He learns the new rules and learns to adapt in the fastest way possible in order to survive. These elements, combined with the direction of Danny Boyle, makes for a ride of artistic and horrific storytelling.

When I watched this for the first time, I bought it blind. I stand by that. I bought it due to it being released on Halloween and knowing that it was directed by 'the guy that directed Trainspotting,' but after watching it Danny Boyle's name stuck and I found myself consciously interested in what his next project would be. His movies have always been a study of how the social unit breaks down when faced with conflict - so a Zombie Movie is something that had to be done by Danny Boyle. Some have been better horror movies, and some have satisfied the sadists better with gratuitous gore, but short of Romero's Night of the Living Dead - none have better delivered a social study of humanity better.